Design in São Paulo

By Phuong-Cac Nguyen
January 3, 2010
1002_saopaulo
Thanks to jet-lag-free time zones and direct flights from half a dozen U.S. cities, getting right to the heart of one of these emerging destinations is easier than ever. In São Paulo, pick up a souvenir with a pedigree in an emerging design-world hotspot.

As the fourth-largest city in the world, São Paulo has rightly earned its reputation as a plate-glass jungle. Skyscrapers are the default choice for the city's architects, and the capital's economic expansion is evident in the ever-present array of steel girders and platforms. But at ground level, there's another story unfolding: São Paulo's population of designers and artists are creating their own distinctly Brazilian landscape, one that's being built by hand with bright colors and organic shapes, and that's increasingly being heralded by the international design scene. "Brazilian designers are starting to compete globally," says Zöe Melo, a Brazilian product developer whose Touch showroom in Los Angeles sells straight-from-São Paulo ceramics and interiors line Estudio Manus, created by Caio de Medeiros and Daniela Scorza. The duo's porcelain cup with ear-shaped handles was selected to be part of the prestigious MoMA Store's Destination Brazil showcase last year, which featured works by 45 Brazilian artists in its New York City shop.

De Medeiros and Scorza set up their workshop in the Vila Madalena district, where many other new boutiques are also clustered (Rua Girassol 310, 011-55/11-3032-0679, ear mug $50). No neighborhood tour would be complete without a stop at 62 Graus, an airy space that carries Japanese-Brazilian artist Rachel Hoshino's designs. Drawing on her Japanese background—a common source of inspiration in São Paulo, home to the largest Japanese population outside of Japan—Hoshino applies East Asian brush- and manga-style illustrations to porcelain teapots and paper envelopes (sessentaedoisgraus.com.br, teapot $69). Four blocks away, Calu Fontes turns her attention closer to home, hand-painting motifs of spirits, gods, and saints from the Afro-Brazilian religion of Candomblé, popular in the Bahia region of Brazil (where her family is from), onto tiles, plates, and vases (calufontes.com, tile $20). And Cynthia Gyuru, the designer behind whimsical housewares and accessories line Olá, pays tribute to the spirit of her country through the liberal use of vibrant florals and tropical birds, and an approachable, handmade aesthetic (olaloja.com.br, decorative clipboard $23). "To mix things—people, materials, cultures—is very Brazilian," says shop owner Tatiana Ammar. She should know: Her hybrid boutique-café, Reciclamundo, deals in painted-glass lanterns, local women's fashion lines, resin jewelry, and banana cake, among other things (Rua Harmonia 303, 011-55/11-3032-9856, banana cake slice $5).

A similar eclecticism is on display in the 121-room Pergamon Hotel in the city center, about two miles away (pergamon.com.br, from $130). Its library is stocked with Brazilian art books, and in the lobby, a tall, tilting, ladderlike wood sculpture by artist Marcelo Silveira stands out against a collection of low, glass-topped tables and sleek banquettes—just one more example of a graceful meeting of the natural and the manufactured.

KEYS TO THE CITY

You've Landed!
Taxi from Guarulhos International Airport (GRU) to the city center: about $42 (40 minutes)

Lingo to Learn
Sampa (sahm•pah): A common nickname for the city

Newest Direct Route
From Los Angeles, on Delta (June 30, 2009)

Next! Food in Lima >>

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Nightlife in Buenos Aires

You can hardly throw a maté cup in Buenos Aires without hitting a tango salon. But with prices for the fanciest dinner-and-dancing shows hitting $180 per person, you're more than likely to find yourself over-paying for a made-for-tourists cliché. For a truer slice of Argentine life, look to one of the city's peñas—late-night parties where folk music and comfort food take center stage. Peñas evolved out of the century-long tradition in which guitar-playing gauchos spent their evenings strumming songs about the pampas until sunrise. Over the past five years, as more and more people from the campo—the Argentine countryside—have made their way to the city, the old-school scene has reemerged. "I can come to a peña alone and always find someone to talk to," says Daniela Giorla, a 30-year-old Buenos Aires native who became a regular fixture at peñas after her first experience 18 months ago. "There are no bad vibes." When Esteban "El Colorado" López founded La Peña del Colorado in 1995, his goal was to draw in people like Giorla. "There were two or three peñas in the city at that time, but everyone thought they were for old people," he says. Now his spot, a Wild West–style place decorated with colorful signs, fills to capacity seven nights a week for 10 p.m. shows (delcolorado.com.ar, entry from $5). After the stage shows end around midnight, the second part of the evening begins: Members of the crowd borrow some of the 11 guitars López keeps on hand and start making the music themselves. Peñas aren't just community jam sessions; they also offer a window onto the provinces. At Los Cardones, run by a brother-and-sister team from Salta (to the north), a wall-size photo of their hometown's cathedral hangs in the high-ceilinged space where Argentine folk-music stars like Los Nocheros perform and Salta-style beef and potato empanadas are served (cardones.com.ar, entry from $4). And at the Los Cumpas peña , held monthly in an old baroque theater, up to 1,000 people dance to cheerful, Andean carnavalito and huayno and Spanish-descended chacarera and samba songs, and refuel with spicy, Jujuy-style tamales (loscumpas.com.ar, entry from $5). The recently renovated Miravida Soho, in the Palermo neighborhood, is a well-located base for those looking to explore the city's peña scene (miravidasoho.com, from $120). Six rooms with ebony floors and cast-iron balconies are spread throughout a 1930s mansion. And on the ground floor, an intimate wine bar serves as an ideal meeting spot for guests to gear up for the night's real action. KEYS TO THE CITY You've Landed Taxi from Ezeiza International Airport (EZE) to Palermo: about $27 (30 to 45 minutes) Lingo to Learn Guitarreada (gi•tar•ray•ah•dah): The sing-along portion of a peña Booking Tip Go native: Our recent search for nonstop flights showed the best fares on national carrier Aerolineas Argentinas ($952 round trip from Miami)—$500 less than the cheapest fare from an American carrier. Next! Design in São Paulo >>

Old-world Revival in Quito

All too often, historic capitals feel like musty museums: The spirit that once energized them is nowhere to be found. But thanks to a collective effort by entrepreneurial locals and ambitious government-sponsored initiatives, Quito's nearly 500-year-old center—100 square blocks of whitewashed buildings and wrought-iron balconies—is getting its second wind. In fact, the UNESCO World Heritage Site hasn't been this vital since its 1950s heyday, when La Ronda, a 17th-century pedestrian way (officially called Calle Morales), served as home base for the city's vibrant community of artists and intellectuals. When 24-year-old Pablo Arregui was searching for a place to relocate his high-end ceramics, sculpture, and jewelry shop, Mucahua, from the city's suburbs last year, La Ronda perfectly fit the bill (Calle Morales 692). "We chose this location because we wanted to have a real relationship with the street," Arregui explains. Along with several other neighboring boutiques, Mucahua stays open until midnight on weekend evenings to welcome gallerygoers strolling through the area and sipping canelazos (a hot drink made with aguardiente, cinnamon, sugar, and lemon juice). "La Ronda is back on the cultural map," he says. That was hardly the case a few years ago. Increasingly seedy elements had taken over, and in 2006 and 2007, the government funded a complete restoration of La Ronda's cobblestoned roadbed and installed dozens of new streetlights. The sweeping changes to Old Town paved the way for hotel development and small-business owners. One of the many new properties that have reclaimed grand, centuries-old buildings, the 25-room Hotel Plaza Sucre opened last May in a 19th-century structure two blocks from Plaza Grande, the district's main square (hotelplazasucre.com, from $133). Its original colonnaded atrium has been restored, and paired with a punchy mix of contemporary Ecuadoran paintings and pre-Columbian carvings. Visitors find a similar juxtaposition of old and new in the 2-year-old Centre for Contemporary Art, which showcases hypermodern graphic murals alongside the 100-year-old curves and pristine wood floors of what was once the city's military hospital (corner of Luis Dávila and Venezuela, revolucionquito.com). A few blocks uphill from the museum is the 2-year-old Ecuadoran-fusion restaurant El Ventanal, whose name translates to "picture window" (elventanal.ec, entrées from $5). The glass walls of the dining room look out on sweeping views of the city, from the iconic Virgin statue on Panecillo hill to Old Town itself. Like fellow shop owner Arregui, third-generation hatmaker Luis López takes an active role in the neighborhood. López has a workshop in the back of his store, Loba Humacatama, where he can be spotted most days constructing his signature pieces—dramatic women's hats with brims as broad as five feet—on antique hat forms inherited from his milliner grandfather (Calle Morales Oe1-130, hats from $20). As with much of what's happening in Old Town these days, the hats are a fitting blend of time-tested craftsmanship and bold, modern flourishes. KEYS TO THE CITY You've Landed! Taxi from Mariscal Sucre International Airport (UIO) to Old Town: $8 to $9 (20 to 40 minutes) Local Trivia Hatmaker López does brisk sales of sombreros de paja toquilla—better known as Panama hats—which actually originated in Ecuador. Transportation News Coming soon: A new international airport with four times the capacity of Mariscal Sucre is set to open in mid-2011. Next! Nightlife in Buenos Aires >>

Paradise for All

There's a word in the Tahitian language: fiu. It's not an easy word to translate, but loosely speaking, it means feeling blah, worn out, fed up. You might be fiu at the end of a grinding workweek or the morning after a massive party. Above all, fiu (pronounced "few") means you want to do nothing but relax—in which case you're fortunate if you find yourself in French Polynesia. For decades, travelers here have renewed their spirits with the beautiful beaches, laid-back vibe, and soothing breezes of these South Pacific islands. Spend a little time on a strip of white sand, sipping Hinano beer and staring at an endless expanse of impossibly blue water, and you quickly understand how the place could inspire you to flee your regularly scheduled life. Like so many before us, my wife and I, nursing our own nagging case of fiu (history will show there was a lot going around in 2009), took our two young daughters to French Polynesia for a course of tropical treatment. We'd gone to Maui for our honeymoon exactly 10 years earlier, but Tahiti and her sister island, Moorea, promised a remote exoticism unlike anything we—let alone our kids—had ever experienced. To heighten the off-the-grid feeling, rather than opt for the traditional resort hotel, we planned to rent a couple of houses on Moorea, a half-hour ferry ride from Tahiti. No room service or concierge or pillow mints. No mindless checking of e-mail or surfing of Facebook. To the extent we could, we'd go native. It's easier than ever before to make this kind of trip. In light of its romantic-getaway reputation, French Polynesia has been striving to broaden its reach and make inroads with families. I'd heard that, in addition to an ongoing promotion on national airline Air Tahiti Nui—which throws in two free tickets for children under the age of 11 with the purchase of two adult ones—gorgeous houses were increasingly up for rent through websites like vrbo.com (Vacation Rentals By Owner) and homeaway.com. Families who have left behind a life in the States for greener (and bluer) pastures have discovered just how valuable their real estate is and have begun opening up their bungalows to people like us—for under $200 a night, private beach included. We'd never imagined bringing our kids—3-year-old Julia and 7-year-old Rebecca—to a newlywed destination like French Polynesia. But the prospect of getting a direct, unfiltered experience of the islands, without fear of our darling daughters embarrassing us by doing cannonballs into a hotel swimming pool, couldn't have been more appealing. As we sat on the plane from Los Angeles to Papeete, Tahiti, surrounded by all those fresh-faced honeymooners, we felt secure in the knowledge that paradise would have room enough for all of us. Gazing at Moorea from a peak on Tahiti in 1835, Charles Darwin described the island as "a picture in a frame" thanks to the barrier reef that perfectly encircles it. Bora-Bora may carry greater mystique for most Americans, going back to the U.S. military presence there in World War II. But despite its proximity to Tahiti, Moorea remains more undeveloped—and, some would argue, more beautiful. The entire 80-square-mile isle, which takes about an hour to circumnavigate and doesn't have a single streetlight, claims less than 800 hotel rooms, fewer than the number of rooms in a single large resort on Oahu's Waikiki Beach. And although the population has more than tripled in the past 25 years, it's still only 16,000. Arriving at the Bali Hai Boys Beach House outside the tiny village of Maharepa on Moorea's northeastern coast, we were greeted with hugs and fragrant leis by Therese Rio, who more than compensated for her limited English with her kind, Gauguin smile and effusive warmth. Therese's late partner, Hugh Kelley, was one of the original "Bali Hai Boys," a trio of enterprising California friends who came to Moorea in the early 1960s and founded the Club Bali Hai, the first in a string of successful hotels. In 1962, Life magazine ran a profile of the Bali Hai Boys that helped introduce Americans to French Polynesia. "Suddenly, everyone wanted to see the Bali Hai Boys on Moorea," Kelley's son Hiro told me. Kelley—who is credited with coming up with the idea for overwater bungalows, now ubiquitous at island resorts—died in 1998, leaving behind his fellow Bali Hai Boys—Don "Muk" McCallum and Jay Carlisle—as well as 12 children and a two-bedroom, two-bathroom beach house, where we planned to spend our first three nights. Bali Hai Boys Beach House is redolent with Kelley family history and blurs the line between indoors and out. Old books, board games, and shells collected over the years by the Kelleys populate the living room; the two bathrooms each have their own indoor gardens; and the patio, right off the large living room, looks out over the Pacific Ocean. Behind the house, a picture-postcard white-sand beach with its own weather-beaten private dock would be exclusively ours for the next few days. Poema Kelley, one of Hugh's daughters, suggested the kids might enjoy feeding bread crumbs to fish off the end of our dock. Julia and Rebecca scampered out immediately with a baguette, and sure enough, swarms of colorful tropical creatures quickly gathered. "Daddy," Julia said, "I wish we could stay here forever." "Wow," I said to my wife. "That was fast." The water was a bit shallow for serious swimming, so we unpacked our snorkeling gear and headed to Temae Plage Publique, the island's longest stretch of public beach, down an unmarked bumpy dirt road near the turnoff for the airport. With a backdrop of green mountains and a view of Tahiti in the distance, 1,600-foot-long Temae is widely reputed to be the island's best—a claim we diligently set out to research over the next few days. (Frankly, the competition was stiff. We found plenty of beaches that were just as idyllic, including a gorgeous contender at the head of Opunohu Bay.) On our way to Bali Hai, we'd stopped at the Champion Toa Moorea, the island's biggest grocery store, to fill our pantry, which only had basic spices. At Temae Plage Publique, we made a picnic of cheddar cheese sandwiches and oranges on the sand before driving through the verdant central valley and up a winding mountain road to Belvedere Overlook, which takes in tranquil Cook's Bay on one side, Opunohu Bay on the other, and jagged Mount Rotui in between. The kids were less interested in the view than in the wild chickens that roamed around the parking lot, a common sight throughout the island (and something you can't help but notice, no matter where you are, when their crowing starts at around 4 a.m.). The Kelleys had told us that their favorite place for takeout dinner was Roulotte Chez Mariana, a white truck that pulls into the parking lot of the Magasin Remy supermarket on the northern coast every Wednesday through Sunday at dusk. Chinese, French, and Polynesian dishes are always on the menu, but Roulotte Chez Mariana's specialty is ma'a tinito, a beef, red bean, and noodle dish that's only served every other Thursday. (Unfortunately, we were there on a different day.) We arrived at 6 p.m., and a half-dozen locals were already lined up in front of the truck, toting dishware from home. A handful of picnic tables are set up in the parking lot, but we opted to take our Tupperware containers home and spread out on the patio. Gazing at the pastel sunset while enjoying our steak au poivre and shrimp with vegetables over rice, we reveled in the fact that we'd been keyed in to one of the island's best-kept secrets. As appealing as it is to live like a local, certain tourist activities on Moorea exert an irresistible gravitational pull. The next morning, we met Hiro Kelley down the road in Cook's Bay at the Club Bali Hai and set off on one of the ray-feeding excursions he's been running for 20 years through his Hiro's Tours outfit. An open-air boat shuttled us and a dozen others out to an established feeding spot for stingrays and sharks, and we jumped into the water with our snorkels and masks. The blacktip reef sharks got close but not too close, while the rays came swimming up like hungry pets from some alien world, flapping their leathery bodies against us and opening their crescent-shaped mouths for hunks of raw fish. We then cruised out to Motu Tiahura—one of three small, uninhabited islands off Moorea—for a picnic of grilled chicken, pasta salad, and mai tais. After lunch, our burly, joke-cracking guide, Bruno, put on a "coconut show," demonstrating how to crack one open using just a stick and then extract the water and meat inside. He stood back with a wry smile as we struggled and sweated trying to repeat the trick. There are some secrets, it seems, only a native can know. Of all the tourists on the ray-feeding trip, we were the only ones renting a house on Moorea; everyone else, it seemed, was staying in one of the island's hotels. A couple from New Zealand with a toddler was intrigued to hear we'd found an alternative to the full-service hotels and the modest pensions that cater mostly to European backpacker types. "There's a huge gap between the hotels and the pensions," says Laurel Samuela, an American transplant from northern California. She runs Te Nunoa, a thatched-roof, one-bedroom bungalow on the western side of Moorea, with her husband, James, a Tahitian tattoo artist. "The pensions, for the most part, have no style: They're foam mattresses, polyester sheets, threadbare bath towels. We wanted to offer something nice and not have it be $700 a night." Laurel is a testament to the island's seductive power. In January 2000, she came to Moorea for a scuba-diving trip; her plan was to stay for six months and return to the Napa Valley, where she owned a furniture store. Then she met James and fell in love. "I decided it was worth staying," she told us, sweeping her arm to take in the property that encompasses their house, the rental bungalow, James's tattoo parlor, and the home office out of which they run their travel company, True Tahiti Vacations. Over glasses of Tahiti Drink—a concoction of orange, pineapple, and passion fruit juices and rum that's sold in cartons all over the island—we watched our kids play with the Samuelas' 8-year-old daughter, Fiona, and 6-year-old son, Dushan. Seeing them easily entertain themselves with the dogs and chickens, it wasn't hard to envision how a family could carve out a happily mellow life here. Laurel and James built Te Nunoa using the wood from local aito trees and furnished it with a king-size canopy bed with a Tempur-Pedic mattress, a twin daybed with a trundle, and handcrafted chairs from Bali. They opened the bungalow to renters in April 2008, and it's been steadily booked ever since. Given the success of this first venture, the Samuelas are planning to unveil two villas and several new bungalows a short drive east on Opunohu Bay. Bob and Mary Hammar, a retired American couple from University Place, Washington, have had similar luck renting their house, Fare Hamara. The couple, who formerly owned a chain of medical-uniform shops, first came to Moorea more than 30 years ago on vacation. "We'd been 19 years in business without taking a break, and we got talked into going to Moorea by some church friends," Bob remembers. Their two-bedroom, octagonal house, which they built in the 1980s, sleeps six people and has a sweeping view of Opunohu Bay off a deck that encircles the house. Since 1993, they've leased it out to visitors, and once or twice a year they stay there themselves. Bob still can't quite believe their good fortune: "If you'd told us 30 years ago we'd be doing this, I'd have laughed at you." At the end of the week, we moved to Fare No Tehau, a thatched-roof, two-bedroom house owned by David Gierlach and Ida Teiti, who live in Hawaii. Fare No Tehau, "The House of Peace," is set in a gated community beside a channel feeding into a lagoon. Inside, a staircase made from gnarled wood leads to an airy loft with a canopy bed—our girls got endless enjoyment climbing those stairs. We wanted to see more islets after our dreamy day on Motu Tiahura with Hiro's Tours. Motu Fareone, next to Motu Tiahura, is close enough that you can kayak out, but we took the easy route, hiring a boat at the InterContinental Moorea Resort & Spa. A five-minute walk put us on an empty beach, where we spent the afternoon like castaways in a New Yorker desert-island cartoon. Our last night on Moorea, the inky sky was filled with the most awesome display of stars I'd ever seen outside of a Carl Sagan PBS special. Laurel had been talking up Pizza Daniel, a roadside stand with an outdoor brick oven. Coconut-tree stumps serve as tables and chairs in front of the restaurant, but as we had before, we returned to our patio with our thin-crust pizzas—and the sounds of drumming and singing from the Polynesian dance show at the Tiki Village Theatre wafted over the canal. Faster than I could've imagined, we found ourselves resettled into work and school and buzzing BlackBerries. But somehow, having lifted the fog of fiu at least temporarily, it all seemed to wash over us a little more gently. MOOREA ADDRESS BOOK by Nicholas DeRenzo GETTING THERE Traveling to French Polynesia—made up of 118 islands, including Tahiti, Moorea, and Bora-Bora—is more time-consuming than challenging. It's an eight-and-a-half-hour flight from L.A. to Tahiti. From the U.S., Air Tahiti Nui, Air France, Delta, and Qantas all fly direct to Tahiti's Faa'a International Airport (PPT). Air Tahiti Nui is offering its Family Special through the end of the year: Get two free kids' tickets with two adult ones (airtahitinui-usa.com). Moorea, 12 miles west of Tahiti, is a 30-minute ferry ride. The Aremiti 5 is the largest and fastest ferry (aremiti.net, one way $13 adults, $7 kids). Air Moorea runs 40 10-minute flights a day (011-689/86-41-41, one way from $48, round trip from $93). WHEN TO GO Dry season (with an average temperature of 78) runs from May through November. The wet season, from December through April, is marked by humidity and storms but also lower prices. RENTAL WEBSITES Each of the following sites has a handful of properties on Moorea and the surrounding islands: vrbo.com, homeaway.com, a1vacations.com, and cyberrentals.com. LODGING Bali Hai Boys Beach House balihaiboys.com, two bedrooms from $268 Te Nunoa 011-689/56-25-33, mooreabungalow.com, one bedroom from $220 Fare Hamara 253/564-0180, farehamara.com, two bedrooms $250 Fare No Tehau 808/394-5222, vrbo.com/161616, two bedrooms from $250 FOOD The Blue Pineapple Restaurant Club Bali Hai, clubbalihai.com, lunch from $18 Champion Toa Moorea 011-689/56-18-89 Roulotte Chez Mariana Near PK marker 5, 011-689/77-49-56, dishes from $13 Pizza Daniel 011-689/56-39-95, pizzas from $12 ACTIVITIES Hiro's Tours 011-689/78-70-10, hirotours.com, from $88 per person, including lunch and drinks Motu Tiahura Boat rentals through the InterContinental, 011-689/55-19-00, moorea.intercontinental.com, round trip $13 adults, $7 kids Tiki Village Theatre 011-689/55-02-50, tikivillage.pf, dinner and dance show $84 per person

Barbecue for Every Taste Bud

TEXAS STYLE Pit-smoked with a dry rub Snow's BBQ, Lexington, Tex. At only 7 years old, Snow's is just a baby compared with the state's other seasoned barbecue spots, most of which have been open for more than half a century. But judging by the lines, Texas barbecue lovers—who tend to be a traditional bunch—have decided age doesn't matter when the food is this good. Started by former rodeo clown Kerry Bexley so that his teenage daughters could get some work experience—before they left for college, you'd find them there taking orders every Saturday—Snow's has won people over with its brisket, ribs, and pork steak. Pit master Tootsie Tomanetz, who is in her mid-70s, comes in at 2 a.m. to tend to the already-smoking meat (it cooks for a good eight to 10 hours before the place opens at 8 a.m.). Time your visit carefully: Snow's is open on Saturdays only, and as soon as the food sells out—usually around noon—the doors close. 516 Main St., 979/773-4640, snowsbbq.com, entrées from $9. KANSAS CITY STYLE Tangy tomato-based sauce with a hint of molasses Snead's, Belton, Mo. Snead's menu is chock-full of choices: sliced pork, ribs, beef brisket. But the restaurant is especially known for its "brownies," also known as burnt ends. Juicy little nuggets cut from the tips of brisket or ham, brownies are crispy, smoky, and utterly delicious. They're served with slices of white bread—true KC style—French fries, and a handful of dill pickles. Be careful when you reach for the extra sauce on the table: Locals know that the bottle with the rubber band around it is mild, but the other one is absurdly hot. Unlucky newcomers can be in for a painful surprise. 101 E. 171st St., 816/331-9858, brownies from $10. MEMPHIS STYLE Barbecue sandwiches and wet and dry ribs Craig's Barbecue, DeValls Bluff, Ark. DeValls Bluff is barely a dot on the map, but it happens to have some of the meanest Memphis-style barbecue around. Craig's Barbecue, in an unassuming white stand-alone building, has been serving its pork, ribs, and smoked chicken since the '40s. The ultimate local favorite: a sandwich with pulled pork dressed in a mild, medium, or hot red sauce and—the special house touch—coleslaw, all together on a bun. For dessert, those in the know head across the street to the Family Pie Shop (locals call it Miss Mary's), a stucco shack with some seriously delicious coconut and chocolate pie. Hwy. 70, 870/998-2616, sandwiches from $3.50. Barbecue smackdown! What's the all-time best barbecue city in the USA? Share your opinion by posting a comment below.